Hi legierk
Welcome to GN2. First, on posting links, just put the whole link on its own line, including the http bit, but without the square brackets.
To post pictures, you have to upload them somewhere to the internet, such as photobucket etc (Your picture seems to be just a reference to a file on your hard drive). Then post the entire URL address to the photo as above. Preferably, at each end put IMG and /IMG each inside a pair of square brackets
, to make it appear on the post. Always preview your post before submitting it, to check the links work.
Haven't seen your picture yet. But on grounding and hum:
The first thing is to screen the cavity with foil, and also the inside of the cover plate at the back (thinking LP here), so that when the cover is screwed down, it overlaps and connects to the cavity foil for a complete screened enclosure.
All of the pot bodies and shafts will be connecting to the foil, because they are placed against it. However, the pot bodies are not automatically connected to the signal ground. You need just one (and no more) connection to the cavity screen from the signal grounds. Usually, one volume pot case is nominated as 'star ground', and all the ground points as shown in the diagram are taken to it, including the shields that cover the pickup wires, the pickup signal ground wires, the wire to the bridge, the ground lugs of the four pots and the ground wire from the output jack.
This star arrangement ensures tha there is only one route from any grounded point, to ground. I also think though, that your description of a 'U' that links up several points, without making a loop, is OK. I have done that several times too.
The key is one connection to the cavity shielding, one route only from any point to ground.
Now to the circuit. This is just my personal opinion. I think those reverse-wired volume controls are a crime against electronics. Sure they stop one pup from shunting the other when turned down with both on. But by the time they are turned down enough to reduce the volume, they wreck the tone of the pickups by putting a big resistance in series with the output, and shunting the pickup coil. This causes several ways in which the treble is lost. And also, that high resistance when turned down will make the signal more sensitive to hum downstream.
For an LP, I think forwards-wired volumes are best, and just don't turn them all the way down when you want to mix pickups. All the useful mixes are are at higher settings. I prefer linear forwards-wired volume controls on LPs, because it is easier to set a mix.
I have an LP copy, on which I've been trying various arrangements. My current set-up, which is the best I've found without active electronics, has two 500k lin volume pots, with 'treble bleed' components (a 1nF cap and a 220k resistor in parallel, from each volume hot outer lug to center lug). These parts help to reduce the loss of treble as you turn down the volume. Theres quite a gradual reduction in volume as you turn down from 10 to 5, and the main mixes are found between 7 and 10. The interaction where one volume reduces both pups seems to only be significant below about 2, on a mixed setting ie, outside the useful range so not a problem.
Thats for passive wiring - however, what I prefer even better is a small preamp built into the guitar - solves all the tone and mix problems. My LP will be going back to that arrangement when I've finished testing the passive circuit.
On tone controls, I think log pots give a better control.
On volume and tone pots, log or lin makes no difference to the sound range that you can achieve, only the position on the knob where each setting occurs.
I hope that helps a bit!
cheers
John