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Post by ChrisK on Jan 29, 2009 19:03:40 GMT -5
I know, I was being cynical.
They actually included the term resin" likely from the examiner pointing out that prior art was related to molded fretboards and guitars, which are resin-based in material.
Well, that's because people with glass nuts need to be extremely careful................
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Post by ChrisK on Jan 29, 2009 13:51:23 GMT -5
tedfixx
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Post by ChrisK on Jan 29, 2009 13:47:59 GMT -5
Man, you must be traveling fast, in fact near light speed.
It's been way longer than a second here on Earth.
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Post by ChrisK on Jan 29, 2009 13:46:14 GMT -5
Since I use a lot of pickups, I usually just stick them on the side of the nearest fridge or file cabinet.
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Post by ChrisK on Jan 29, 2009 13:40:12 GMT -5
Hmm, the old sound purification rites again, eh? patented technology So the secret is to use an inferrous material? I see, so it removes all harmonics thus purifying the fundamental (it sez vibration - singular). When I was in Catholic grade school, they warned us aboot them impure vibrations (or was it those shiny patent leather shoes?). Warning: The following statement contains a term that is actually measurable. The term is "sustain". Hope springs eternal. Hmmm, this will go over big with the heavy metal gang.... Oh, you mean like actual artist reactions? I think that they have missed the really innovative concept of glass strings. This may actually be a meaningful invention. I don't know for sure. Unfortunately, they've started out with marketing sloshingfroth, so reality will be "oxygenated" at best. And remember, boys and girls, a highly-tempered silica based compound (e.g., glass) is still a liquid. (From the five states of matter - solid, liquid, gas, plasma, and marketing.)
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Post by ChrisK on Jan 28, 2009 18:49:47 GMT -5
Here is a variation from the same era that was the precursor of the HHH design. It does similar things, but uses master volume and tone controls. Note that it does this with two DPDT push pull pots in lieu of one DPDT and a second LP 3-way. Add Pickup and Modes to HH Three-wayNote that this would fit nicely within the single 3-way and two DPDT slide switch Jazzmaster paradigm. Phasing is not addressed since that is just a sub-module between the middle pickup and the switching scheme.
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Post by ChrisK on Jan 28, 2009 18:16:02 GMT -5
Who's Barry? Well, in and of itself, no. However, in conjunction with the inductance and resistance of a pickup, the cap (primarily made up of the cable capacitance and the tone cap when the pot is turned down) forms a series LCR circuit which does indeed boost frequencies against the baseline output of the pickup itself. I have posted some articles on this effect; notably Pickup Coil Response Tuning and The Passive High-Cut Tone Control.
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Post by ChrisK on Jan 28, 2009 18:05:17 GMT -5
This is why I posted There are some dead combinations possible in this mod.
A chart delineating all of the possible combos might be of help. Phasing is of future worry until the 16 possible combos are known.
Comparing the actual realizations against this would be clues galore.
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Post by ChrisK on Jan 28, 2009 17:58:35 GMT -5
Well, since I don't remember any of this (Christmas - too many new toys) I had to revisit things....
Since pole #4 above disconnects the output jack hot wire from the 3-way switch and connect it to the bridge pickup black wire (#3 above), the neck stuff is left where it is.
This is so nothing but the bridge pickup is in circuit.
Wire it as I suggest.
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Post by ChrisK on Jan 26, 2009 23:18:39 GMT -5
Yes. It's there, you just don't see it. The equivalent point is the north end of the isolation cap (the pickup (-) leads) on the GN drawing that you posted. Remember, your pickups are in series. We're doing it at the volume pot since its easier (and that terminal is part of the node anyway).
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Post by ChrisK on Jan 26, 2009 17:11:28 GMT -5
Vell, der's not a loot to doo up der aboot de noooordic regions ven der sun is not der shining.
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Post by ChrisK on Jan 26, 2009 17:08:23 GMT -5
So when did you have your bar-Mensa?
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Post by ChrisK on Jan 26, 2009 17:06:45 GMT -5
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Post by ChrisK on Jan 26, 2009 16:55:03 GMT -5
ashcatlt, Your algorithm works correctly. I've run a number of seed value data sets and all are correct. Congratulations, this was not simple. I will as a matter of course ask you to do this. However, operating on the premise that any (or all) of three pickups can be shorted by the switching mechanism, one only has to measure two of the single pickup positions and one of those two in series (all sharing the common volume pot) to determine the volume pot's value. After that is known, any single pickup's DC resistance (a) is child's play after one measures it alone in parallel with the volume pot, a = (A * V) / (V – A) just as it was for your solution. 2, 3, 4, 5 coils, whatever.
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Post by ChrisK on Jan 26, 2009 13:41:31 GMT -5
Au contraire' Pierre. Recalculate.The LP switch is a SP3T center ON in that it does the one/both/other function. The first LP switch does this for the bridge and neck group realizing bridge/bridge+neck/neck. The second LP switch does this for the above group and middle realizing group/ group+middle/middle. The first LP switch is a subset switching function feeding into the second switch. Only standard, regular, boring, pedestrian, run-of-the-mill LP switches are needed. The rest of the functions that you discuss are straightforward since....sub-modules are! If you're going to play "stump the GN2 board", you'll have to try much harder!
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Post by ChrisK on Jan 26, 2009 13:23:07 GMT -5
Yes.
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Post by ChrisK on Jan 26, 2009 0:05:03 GMT -5
...from the left terminal on the tone pot to the left terminal on the volume pot..... You have it going to the right-side terminal on the volume pot (the output signal, it needs to go the the amp ground). Both leads to the tone circuit come from the same point to no effect. Thanks for explaining the structure of the Faraday cage. Sure, be sure to implement the following suggestions. The reason that I suggested the isolation hole around the output jack is to guarantee that there is no electrical contact to the copper foil layer. This isolation spacing should be at least 1/16" or 2mm. If you're using a 400 VDC cap, you should use a 400 VDC gap. Since the copper foil is on the other side of the Faraday cage material from the pot shafts, and presuming that the hex nuts on said pots are on the other side of the body or pick guard, how can you guarantee that there is electrical contact from both pot shells, the bridge/string ground, and the switch frame to the copper foil layer, especially if the copper is between the black insulating layer of the cage and the wood or pick guard? You need to ensure that the pot shell structure is in electrical contact with the copper layer on the cage, or it will not be a Faraday cage, but just a floating copper shell. You need to wire the pot back shells together. You need to directly solder a wire from the cage copper layer to the volume back shell.
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Post by ChrisK on Jan 25, 2009 23:41:12 GMT -5
Sigh. You buy them books, you send them to school, and they eat the teacher.... Fun With Toggles & Push-Pull Switches take 2 sections "B" or "D". "B" shorts the coil hanging from hot when not selected. "D" shorts both when not selected. This takes a SPDT for each coil. If one doesn't want to short a coil when deselected, use Binary Tree Switching with the DPDT switches (upper right corner).
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Post by ChrisK on Jan 25, 2009 0:55:17 GMT -5
Since I don't know what material the Faraday cage is constructed of, I suggested the wire between the pot shells. Since these are both shielding points rather than signal points, ground loops will not be of concern.
Pretty darn good.
With the exception that you are missing a wire from the left terminal on the tone pot to the left terminal on the volume pot (the return from the tone circuit to the signal/amp ground).
I am concerned about what a "20 mm bushing" really means. Does it insulate along the threaded part of the output jack (the amp ground) that passes thru the cage as well as the surface against the Faraday cage?
This is why I suggested that a 20mm concentric hole (the diameter of the jack body) be cut in the shield to eliminate any possible contact with any part of the Faraday cage to the jack.
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Post by ChrisK on Jan 24, 2009 22:39:07 GMT -5
Absolutely. The volume pot is varying the resistance to the tone cap from the bias voltage from the meter. This causes an interactive balancing act. Once the volume pot stops changing, the tone cap finishes charging.
As there shouldn't be. Changing the series resistance to a capacitor in an RC circuit will have no effect if the charge on the cap is not being charged/discharged and has already settled.
The time constant of a 0.047 tone cap and a 500,000 Ohm resistor is such that the cap has reached 97% of its final value after 1 second. This is also slowed by the current output of the meter and the increasing effect of the volume pot as it's turned down.
About the only way to speed this up is to have the tone pot set to its minimum resistance.
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Post by ChrisK on Jan 24, 2009 13:30:31 GMT -5
Hmmm, ya know, it seems like there may be some capacitive filtering afoot here.
Is the tone control all the way up/off so that the resistance thereof is at its largest?
Does it settle faster if it's at its full on/lower value (take the tone pot resistance out of its maximum reading settling effect)?
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Post by ChrisK on Jan 24, 2009 13:17:19 GMT -5
The LP method is crucial since it gives two discrete measurements of a function using the same variables of known variation. Without this variation, one ends up with simultaneous equations of dissimilar variables with only one measurement of each, and none with the exact same variable set. From the other "ugly" thread; Hmmm, ya know, it seems like there may be some capacitive filtering afoot here.
Is the tone control all the way up/off so that the resistance thereof is at its largest?
Does it settle faster if it's at its full on/lower value (take the tone pot resistance out of its maximum reading settling effect)?I started to run the algebra last night, but my SLU (symbolic logic unit) had already powered down for the night. The maths are a bit onerous and grow quickly during expansion. Especially at 4 am. Simultaneous linear equations are middle school algebra, simultaneous non-linear ones are not so simple. I was in no condition to fire up Maple or MathCAD (both of which contain symbolic algebra engines - no numbers required until desired), so cheating was out of the question. I took another tack and started an iterative interpolating spreadsheet with some seed values. I started with a pickup of 5,000 Ohms and one of 10,000 Ohms, and a volume pot of 500,000 Ohms. I calculated the measured values of the volume pot in parallel with one pickup, the other pickup, and both in series. Using these "measured" values I used a differential ratio-metric averaging procedure that after one complete pass came up with 5,002.xxx and 10,011.xxx Ohms for the pickups and around 430,000 and 480,000 Ohms for the volume pot. This is pretty dang close. These coil values are likely more resolute that one can read with a 3 1/2 digit multi-meter. They are certainly more accurate. This is why I suggest the use of a multi-meter with enough digits of resolution such that one can use the same resistance range for all measurements. The different ranges are realized with scaling resistors (voltage divider) in the meter, and these are at best +/- 0.1% in accuracy. By using different ranges to gain resolution, one induces a variation of +/- 0.2% or worse in inter-range accuracy. Using the same range will still be within the meter's absolute (in)accuracy, but at least all readings will be at the same level of ratio-metric accuracy. If you want to get all of the digits of resolution, for most examples of paralleled pots and coils, you need a 20,000 to 40,000 count meter (4 1/2 to 4 3/4 digit). I use a 6 1/2 digit one of no small cost. As in the above example, while I got very rapidly very close to the actual coil values, the volume pot values were low. But, so what. As a bit of insight I tested (in math) the premise that the volume pot resistance span could be ratio-metrically applied to each pickup as a function of its ratio of the total series resistance. For my test case pickups, I assigned 166,666 Ohms to the 5,000 Ohm coil and 333,333 Ohms to the 10,000 Ohm coil. As suspected, the parallel values calculated were virtually identical to the "measured" values for my test cases for each pickup selected alone. This was to be the basis for my second stage interpolation effort, but I haven't done anything with it yet since I'm already close to or better than a +/- 0.1% coil resistance error in my first interpolation stage. I'll post my spreadsheet later. Let me know if you want me to send it to you after you see the post.
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Post by ChrisK on Jan 23, 2009 21:58:30 GMT -5
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Post by ChrisK on Jan 23, 2009 21:35:25 GMT -5
Me too.
I found that I don't need to use a cable.
Or a recorder.
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Post by ChrisK on Jan 23, 2009 21:30:42 GMT -5
Paraffin, the ingredient in wax is a hydrocarbon fuel. Paraffin vapors are explosive in a "burn you skin off and then your house down" kind of way. en.wikipedia.org/wiki/ParaffinTo reiterate what Cyn said, NO GAS BURNERS! NO OPEN FLAMES OR SMOKING. Only crock pots or a double burner on an electric range top.
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Post by ChrisK on Jan 23, 2009 21:21:22 GMT -5
It is not. It is a box, endowed best full, of tools unobtainium, bejeweled immeasurably. The force is such that the fasteners of what_is morph and adapt to fit. Perception (since ever) is reality a 'view. Reality (since ever) is perception anew !So cyn, is it built yet?
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Post by ChrisK on Jan 23, 2009 21:04:00 GMT -5
If I were to draw it, you would not learn the rational behind this, and likely might implement such isolation circuitry in other instruments to no avail or safety.
It will also take about 1 hour.
I've exactly explained this.
Your statement before of: indicates that the jack sleeve (the hex nut and hence the amp ground connection) has electrical continuity to the Faraday cage shield which also has electrical continuity with the 3-way switch housing, pot shells, bushings, shafts, knobs (if metal), the metal pickup covers, and the bridge/strings, thus completely defeating the isolation cap.
You also have several of these points hardwired together.
THIS IMPLEMENTATION PROVIDES NO SAFETY ISOLATION.
The isolation cap is pointless here.
The guitarnuts drawing is correct. You need to make yours match it electrically. You must not connect the Faraday cage to the output jack sleeve bushing if it is in contact with any of the electrically conductive, humanly touchable parts of the guitar.
For the output jack sleeve/bushing, you must make a cutout in the Faraday cage approximately 20mm in diameter concentric with the bushing hole thru the body, ensuring that the jack HAS NO CONNECTIVITY TO THE CAGE.
You must connect the two disparate circuit sections as I have indicated, to match the guitarnuts drawing.
procedure
1. Make a cutout in the Faraday cage approximately 20mm in diameter concentric with the bushing hole thru the body.
THE AMPLIFIER CIRCUIT GROUND NEXUS
2. Connect all of the pickup wires, pots, tone cap and output jack wires as you had them before, BUT DO NOT CONNECT ANY POT SHELL, THE FRAME TERMINAL ON THE 3-WAY SWITCH, THE BRIDGE/STRING GROUND WIRE, THE METAL PICKUP COVER WIRES, OR ANY EXPOSED, HUMANLY-TOUCHABLE CONDUCTIVE OBJECTS TO ANY POINT IN THIS CIRCUIT NODE.
The nexus of this circuit node should be the volume pot "0" terminal (the left fully anti/counter-clockwise) one in your drawing).
This nexus amplifier ground terminal will have one wire from the 3-way switch,
a wire from the tone circuit,
the ground wire to the jack sleeve/bushing,
and one wire lead from the isolation cap.
THE ISOLATED GUITAR SAFETY GROUND NEXUS
3. Connect the points specifically directed to not connect to the above as follows:
Solder to the back shell of the volume pot a wire soldered to the back shell of the tone pot (do not depend on the Faraday cage to do this, it's a shield, not a conductor).
Solder to the back shell of the volume pot each shield wire from the pickup covers.
Solder to the back shell of the volume pot the bridge/string ground wire.
Solder to the back shell of the volume pot a wire from the frame terminal on the 3-way switch.
Solder to the back shell of the volume pot the other wire lead from the isolation cap.
/procedure
Done is.
If you draw it, you'll "see" it.
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Post by ChrisK on Jan 22, 2009 21:51:37 GMT -5
While generally pompous, annoying, and all around boring, they certainly are not idiots in the strict definition of the word (-Sigma on the intelligence curve). Most of the folks that one meets there are like the slightly wealthy; they're slightly intelligent and go out of their way to make sure that everyone knows it. The truly intelligent, like the truly wealthy, generally tend to not do so. To get into Mensa one only has to be merely gifted (1 in 50). There are other high(er) IQ societies that one will never hear of. True intelligence is self-evident. The Mega-smart folks just think that they're special. Then there's them there elitists... giga.iqsociety.org/"......There are currently six Giga members." giga.iqsociety.org/intro.htm"The Giga society currently has seven members:" giga.iqsociety.org/members.htm(Unless, of course, one of them departs.)
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Post by ChrisK on Jan 22, 2009 20:57:49 GMT -5
The link that you posted is correct. i260.photobucket.com/albums/ii9/angelodp1/1457comp.jpg?t=1232577299Your wiring does not match it. The ground connection from the amp (the cord shield) is capacitor isolated from anything "touchable" by humans. On the amp ground side of the cap one would connect the signal returns from the pots, pickups, and any circuit signal return point. This is the "north/top" end of the cap in the link. It's labeled "signal return". On the other human touchable side of the cap one would connect the pickup cases (any touchable metal cover), the pot shells (especially if metal knobs are used), the bridge/string ground, any exposed metal plates, and essentially any humanly touchable, electrically conductive things. This includes any internal shielding that might touch any of these things. This is the "south/bottom" end of the cap in the link. It's labeled "to ring terminal on pot mounting shaft". For the isolation cap to be isolating, the jack/amp ground must not be in contact with any point in this group.
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Post by ChrisK on Jan 20, 2009 21:01:39 GMT -5
In essence, the ground connection from the amp (the cord shield) is capacitor isolated from anything "touchable" by humans.
On the amp ground side of the cap one would connect the signal returns from the pots, pickups, and any circuit signal return point.
On the other side of the cap one would connect the pickup cases (any touchable metal cover), the pot shells (especially if metal knobs are used), the bridge/string ground, any exposed metal plates, and essentially any humanly touchable, electrically conductive things.
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