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Post by asmith on Dec 26, 2011 13:37:08 GMT -5
Newey kindly sent me a package that arrived a few days before Christmas Day, for being a geek. Inside it was a Seymour Duncan Tweakfuzz. When I received it, I sent Newey a PM in thanks. The words I used to describe it were, "I sound like Led Zeppelin. This rocks!" And it does. I put together a soundsample file that on reflection turned out more like a comedy record with the gain knob stuck on full. I was about to post it today but on a quick recheck of the forum rules for sound samples, I'm wary of doing so as it's full of copyrighted riffs. For the meantime,EDIT: Stop the press, here's the demo.And here's the ProGuitarShop.com demo vid, full of copyrighted riffs. My own thoughtsSoundI've had a play using a Strat, and a Les Paul. With a bridge single coil, then like I said, I sound like Led Zeppelin. With a neck single coil I get a sound getting close to Hendrix. With full whack on the gain, the pedal really works best on single coils. With a humbucker or B*M, I've found it a little muddy on rhythm, and a little strangled on leads. Using the Tweak knob towards the leftmost 'trebley' end and rolling back the gain a little can solve this, but it does noticeably sound like a different animal. Which is good. This I like. It isn't so much a wholly "transparent" pedal, but it interestingly responds to different guitar settings in different ways. Like I said, I really think it works best for the lead tones with single coils. For humbuckers, I think coming back off the gain for a rhythm tone is its most useful application. The pedal is, graciously, transparent enough that I can't attempt to noodle off into oblivion without being absolutely on-the-mark accurate. Good. I need to be told. NutzUnity volume on this pedal (clean sound = dirty sound) is at 3 o' clock, which is frankly ridiculous. However, there is a simple mod which requires nothing but the purchase of a jumper wire and some solder, to get unity to around 10 o' clock. I'll be doing that in the near future. Also, after some research and a quick comparison of the schematics in confirmation, the Tweakfuzz is essentially a Fuzz Face with multiple input capacitors on a rotary switch. Fuzz Face extension mods are currently being googled - apparently there's plenty more room in the enclosure. What's an extra control knob between friends? If anybody has any questions, I'd be happy to answer them.Once again, thanks Newey. And once again, I apologise to my neighbours.
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Post by cynical1 on Dec 26, 2011 13:49:47 GMT -5
Oh, just do the vocals in chipmunk voices and call it a parody... Nice little effect. +1 to newey for really coughing up the coin this year for a really sweet prize. KIIMH got a house brick... HTC1
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Post by reTrEaD on Dec 26, 2011 14:39:53 GMT -5
I put together a soundsample file that on reflection turned out more like a comedy record with the gain knob stuck on full. I was about to post it today but on a quick recheck of the forum rules for sound samples, I'm wary of doing so as it's full of copyrighted riffs. I don't think you have anything to worry about. This sort of thing is not what the copyright laws are all about. Duplication of a commercially available recording of a performance by the original artist is a direct infringement. It's pretty obvious that would lead to big trouble. Even a cover of a copyrighted song could be a problem, IF the recording was sold without permission by the copyright holder. But what is the purpose of your recording? An amateur playing some riffs to demonstrate the attributes of a device. Under the strictest interpretation of the law, this could be seen as an infringement, but that's one hell of a stretch. You aren't profiting from the recording and the recording won't take one single sales possibility away from the original recording. Of course sumgai will have the final say. But I don't think this is what he had in mind when he spoke of copyright in the forum rules.
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Post by JohnH on Dec 26, 2011 15:22:40 GMT -5
I wouldnt worry about posting a few riffs.
The demo you linked to reminded me again how a fuzz box has a very unique sound, different from other overdrive, distortion and amp gain effects, even at similar levels of gain. Its very 60's sound. I might have to build one.
John
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Post by sumgai on Dec 27, 2011 4:21:56 GMT -5
Ace,
Post yer own stuff, or I start treating you like I do KIIMH..... with an AutoSmite button!
Seriously, 'Tread's correct, I'm only warning off those who might want to post obviously infringing materials. It would take a whole pack of weasels (lawyers, if you wanna wash yer mouth out afterwards....) to sway a jury that performing a comparative sampling was an attempt to infringe another's distribution rights.
And for the record, as has been accepted by the courts (so far), commercialization and/or personal profit are not factors. They're supposed to be, according to a fair-minded reading of the law (as written), but obviously some weasels are able to bamboozle some judges. (I won't go any further than that, at least not in public.....)
Besides, the Fair Harbor portion of the DMCA requires that we act quickly upon any takedown notice, and so long as we do that, then it's an extremely long shot that the issue would go any further.
OK, that's it, fun's over, let's get back to work. Ace, post yer stuff! ;D ;D
HTH
sumgai
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Post by asmith on Dec 27, 2011 6:47:30 GMT -5
Alright alright already, it's here. Edited the O.P. as well.
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