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Post by unreg on Nov 25, 2020 17:09:29 GMT -5
Hi all! đ Last night, after resoldering a wire that had broken off the ground paperclip, the hum now happens conditioned on how much treble is present in the output. (Is that easily solved?) (And now both pickups work just great again! ) Like: - If the volume knob is turned all the way to off, there is no hum.
- Turning the volume knob up increases treble and, at the same time, increases hum.
- However, if the tone knob is off, the volume knob could be turned all the way to max and there is no hum.
- If the tone knob is at max, then the hum created by turning the volume knob is significantly louder as it increases.
Iâm excited that the hum problem now depends on treble! đ What would you do to remove the treble hum? Replace the tone pot, again?
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Post by frets on Nov 26, 2020 20:09:48 GMT -5
Unreg, I think you have a ground loop problem. Pots grounded to each other?
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Post by ashcatlt on Nov 26, 2020 20:14:15 GMT -5
There's no such thing as a ground loop inside a guitar. There may be redundant ground connections, but that's never an actual issue either.
Does the noise change when you touch the strings, bridge, or jack sleeve?
Edit - I know the "ground loop" thing came up on the original GN site, but we have totally debunked that at least a couple of times around here over the years. It's seriously not a thing. IF, though, you're using the back of the pots as a signal ground, that very much could be the issue just because it's tough to get a good solid connection that way, so it could just be a bit hinkey. The ground connection to the pot cases is best practice for shielding purposes, but we should not rely on a shield connection to carry our signal grounds. The "bottom" signal wires from pickups, and the grounded lugs of the volume and tone pots really should go to the jack via wire, not through shielding or pot cases.
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Post by newey on Nov 27, 2020 8:23:26 GMT -5
If the volume knob is turned all the way to off, there is no hum. Turning the volume knob up increases treble and, at the same time, increases hum. This would seem to be normal operation if there is "hum" in the circuit. Is what you're hearing the usual single coil hum that an unshileded guitar with single coils would make? This, however: seems to indicate a dodgy connection to that tone pot, or a bad pot. I'd first try resoldering those connections (and mind particularly what ashcatlt said about gorunding to the back of the pot). If that doesn't work, then swap out the pot.
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Post by Yogi B on Nov 28, 2020 3:53:35 GMT -5
If the volume knob is turned all the way to off, there is no hum. Turning the volume knob up increases treble and, at the same time, increases hum. This would seem to be normal operation if there is "hum" in the circuit. Is what you're hearing the usual single coil hum that an unshileded guitar with single coils would make? That's my question too -- it is 50/60Hz mains 'hum' (which would always be below the cutoff frequency of, and thereby should not be affected by, the tone control) or is it higher frequency 'noise' which will be reduced by the tone control in exactly the same way as the treble frequencies from the pickups.
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Post by unreg on Nov 28, 2020 3:59:27 GMT -5
IF, though, you're using the back of the pots as a signal ground, that very much could be the issue just because it's tough to get a good solid connection that way, so it could just be a bit hinkey. The ground connection to the pot cases is best practice for shielding purposes, but we should not rely on a shield connection to carry our signal grounds. The "bottom" signal wires from pickups, and the grounded lugs of the volume and tone pots really should go to the jack via wire, not through shielding or pot cases. Very good to learn ashcatlt so thank you! My volume potâs grounded lug is connected to its pot case, bc every volume pot installation video Iâve watched encourages everyone to bend the grounded lug towards the pot and solder that. However, my guitar came with a short bare solid wire soldered between that volume potâs casing and its ground lug. I just transferred that wire, from my old volume pot, to ground my new volume pot. My new volume potâs casing is grounded to the jack via wire, so that bare wire âshouldâ work... or so said those videos. So, Iâll take that solid bare wire away? Yes, Iâll do that. newey Iâll try what you said to; though I canât remember now; need to sleep. Thank you frets, ashcatlt, and newey!
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Post by unreg on Nov 28, 2020 4:08:42 GMT -5
This would seem to be normal operation if there is "hum" in the circuit. Is what you're hearing the usual single coil hum that an unshileded guitar with single coils would make? That's my question too -- it is 50/60Hz mains 'hum' (which would always be below the cutoff frequency of, and thereby should not be affected by, the tone control) or is it higher frequency 'noise' which will be reduced by the tone control in exactly the same way as the treble frequencies from the pickups. hmmm... Yogi B and newey, Iâm undecided on the sound being âhumâ or ânoiseâ. I canât use my guitar now... will have to respond better tomorrow sometime, sorry.
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Post by ashcatlt on Nov 28, 2020 11:11:39 GMT -5
So, Iâll take that solid bare wire away? Yes, Iâll do that. I mean, you can leave the connection to the pot case itself, but the wire from the jack should go to the actual lug. I personally never actually solder to a pot case. Instead Iâll use an o ring or just a washer around the pot shaft to make that shield connection. Is the rest of the cavity shielded? I donât think you answered my question about how/if the noise changes when you touch things. The actual 50/60Hz fundamental line frequency isnât always much of an issue, but we also have all of the harmonic multiples of that frequency which do pop up in more important frequency bands. But then thereâs all sorts of other higher frequency EM radiation pulsing around us all the time, too. My suspicion is that youâre hearing some higher frequency noise and it just gets attenuated along with the rest of your treble content when you turn the T pot down. But then Iâm not hearing what youâre hearing, so who knows?
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Post by unreg on Nov 28, 2020 13:44:42 GMT -5
So, Iâll take that solid bare wire away? Yes, Iâll do that. I mean, you can leave the connection to the pot case itself, but the wire from the jack should go to the actual lug. I personally never actually solder to a pot case. Instead Iâll use an o ring or just a washer around the pot shaft to make that shield connection. Is the rest of the cavity shielded? There is black paint covering the cavity base and part of the cavity walls. That paint does allow current to pass through and it has been grounded. The noise (itâs a buzz; not hum) does change depending on the knobs. - If both vol and tone are max, there is a loud buzz that vanishes when grasping the tone knob or touching all the strings.
- If only the vol is turned off, the buzz is happily missing until grasping the vol knob; that resulting buzz is lower in pitch, but just as loud. Then it disappears after releasing the vol knob.
- If the tone knob is turned off too, that lower pitched buzz still occurs when grasping the vol knob, but itâs quieter.
Gtg... sry
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Post by unreg on Nov 28, 2020 19:09:18 GMT -5
So, Iâll take that solid bare wire away? Yes, Iâll do that. I mean, you can leave the connection to the pot case itself, but the wire from the jack should go to the actual lug. So, the wire from the jack should go to the volume potâs ground lug. Currently, the jackâs ground wire goes to the star grounding paper clip and then a wire runs between that paper clip and the vol potâs ground lug. So, remove from paper clip and... um is there a y-adapter wire? In my head the jackâs ground wire needs to go, both, to the paper clip and to the vol potâs ground lug. How? edit: Ooooh, ashcatlt, you said the ground should not go through shielding or pot case, and it does go through vol pot case bc the stranded wire from that star ground paper clip is soldered to the pot case. And then the short bell wire transfers that ground to the vol potâs ground lug. So, now all I need to do is desolder that stranded wire from the vol pt case and solder it to the vol potâs ground lug! And, frets, yes I believe my star ground paper clip could provide a possible ground loop bc all grounds go to it (and from it, I guess), but ash seems to know that ground loops donât exist inside a guitar... Iâll just try the small change above right now.
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Post by unreg on Nov 29, 2020 0:31:53 GMT -5
If anyone cares, Iâve successfully desoldered that stranded wire from the volume pot case and soldered it to the volume pot lug! PRAISE GOD!! It sounds much better to me now, but there is still some higher pitched ânoiseâ, Yogi B, and so, newey, tomorrow Iâll make sure all the connections on the tone pot lugs are resoldered. The case of the tone pot needs ground, imo, bc the green âchicletâ capacitor is soldered to it, but Iâll check that tomorrow too. Thank you so much ashcatlt, and newey! I hope itâs almost done.
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Post by newey on Nov 29, 2020 7:52:51 GMT -5
The case of the tone pot needs ground, imo, bc the green âchicletâ capacitor is soldered to it, but Iâll check that tomorrow too. The tone control won't work if the cap isn't grounded in some fashion. If you are using a star grounding scheme, typically the cap would get grounded there, along with all the other ground wires. But if it's already soldered to the back of the pot, just ground that.
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Post by unreg on Nov 29, 2020 21:33:01 GMT -5
ashcatlt, newey, and Yogi BUnreg, I think you have a ground loop problem. Actually , maybe my grounding the tone pot and my green âchicletâ capacitor with the same blue colored dual wire is a problem... bc, after grounding the capacitor with the blue wireâs ground wire, I grounded the tone pot with the blue wireâs signal wire. Maybe Iâve asked this before (?): Is using a signal wire to ground a pot bad? Am thinking that ground wires ground bc they are made of a different material. Please help me to do this correctly; please help me to understand. Is this a good solution: 1.) Desolder my capacitorâs ground wire, and the actual real ground wire, from the back of my tone pot. 2.) Bend the capacitorâs ground wire and wrap it through my tone potâs ground lug. 3.) Wrap that actual real ground wire around my tone potâs ground lug. 4.) Solder those wires to my tone potâs ground lug. 5.) Snip that exposed signal wire since it wonât be used anymore. It seems like a possible good solution to me, but it would be super kind if you all gave me your experienced opinions about my 5 step âsolutionâ. edit: Just want you all to know that the other ends of both of the blue wireâs wires are soldered to the star grounding paper clip.
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Post by newey on Nov 30, 2020 6:41:53 GMT -5
Actually , maybe my grounding the tone pot and my green âchicletâ capacitor with the same blue colored dual wire is a problem... bc, after grounding the capacitor with the blue wireâs ground wire, I grounded the tone pot with the blue wireâs signal wire. Maybe Iâve asked this before (?): Is using a signal wire to ground a pot bad? Am thinking that ground wires ground bc they are made of a different material I'm not really following your verbal description of what you now have, nor of what you're planning to do. As a general rule, we want "shield wires" separate from signal wires until they reach a common grounding point, whatever that point may be. By "shield wires", I mean wires whose purpose is to help reduce noise, not carry signal. These include the frame grounds from one's pickups, the string/bridge ground, wires that connect to any conductive shielding such as copper foil or conductive paint, as well as any ground wires for switch frames, pots or other components. But this is a matter of "good housekeeping" rather than electrical necessity. The idea is twofold- first, your signal connections should be more certain, more secure, than being grounded in some iffy fashion through shielding, and second, there is a theoretical possibility of some excess noise if signal runs through the shields. But recall that vintage HBs from Gibson and others used a single "hot" wire surrounded by a braided shield wire that did double-duty- it was gounding the frame of the pickup and was also the connection to one end the pickup coil. So, this is more an issue of being extra careful than anything else. None of this has anything to do with the type of wire used.
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Post by unreg on Nov 30, 2020 15:44:35 GMT -5
Actually , maybe my grounding the tone pot and my green âchicletâ capacitor with the same blue colored dual wire is a problem... bc, after grounding the capacitor with the blue wireâs ground wire, I grounded the tone pot with the blue wireâs signal wire. Maybe Iâve asked this before (?): Is using a signal wire to ground a pot bad? Am thinking that ground wires ground bc they are made of a different material I'm not really following your verbal description of what you now have, nor of what you're planning to do. Just to be more clear: my âdual wireâ refers to a blue wire-case that contains two wires... a âsignal wireâ and a âshield wireâ. Sorry for not knowing the appropriate term. None of this has anything to do with the type of wire used. Thank you newey! After following steps 1-4 last night, my guitar started without high-frequency noise or âbuzzâ, but then a tinier bit of âbuzzâ materialized audibly. The two resistors are soldered between the 1st (ground) and 3rd lugs on my tone pot. I havenât touched the 2nd or 3rd lug yet, but I feel that the 3rd lug may be the cause of the tiny buzz bc that lug is not entirely covered with solder. The resistor wires are âsolderedâ to one side of that lugâs loop, and I think that I should cover the entire lug with solder to increase the resistorâs signal transmission possibility. Iâve read you all talking about how solder doesnât always equate a signal transmission. Thank you newey for your entire response! đ ashcatlt, now both of my pots are free of connections! Thereâs a small bit of solder on the tone pot case, but I didnât take time to remove it bc I didnât want to overheat the pot.
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Post by newey on Nov 30, 2020 16:08:14 GMT -5
The two resistors are soldered between the 1st (ground) and 3rd lugs on my tone pot. I havenât touched the 2nd or 3rd lug yet, but I feel that the 3rd lug may be the cause of the tiny buzz bc that lug is not entirely covered with solder. The resistor wires are âsolderedâ to one side of that lugâs loop, and I think that I should cover the entire lug with solder to increase the resistorâs signal transmission possibility. Why do you have resistors soldered there? Did you mean capacitors? If so, why are there two and why are they soldered between the first and 3rd lugs?
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Post by unreg on Nov 30, 2020 18:28:01 GMT -5
Why do you have resistors soldered there? Did you mean capacitors? If so, why are there two and why are they soldered between the first and 3rd lugs? Resistors are soldered there bc I had awful experiences playing guitar, after replacing my neck pu, since the guitarâs tone had way too much treble. Therefore, I found a forum somewhere after days of searching and asked if itâs possible to edit my guitarâs electronics to reduce treble levels sent to the amp. A genius responded with an encouragement of adding resistors between the 1st and 3rd lugs of my tone pot. And, he explained in great detail how and why they would work as I wanted, so I followed his advise. PRAISE GOD!! The tone is wonderful now! Though, I donât remember why they work; nor do I remember what forum I asked that question so long ago. (I donât expect a reply to this post bc Iâve explained this three times here at guitar nuts2 and no one has ever replied.) Oh, I do remember him explaining about resistor sizes and that certain sizes affected treble differently. And I asked if two resistors could be used; he replied validating my question and with a confirmation.
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Post by frets on Nov 30, 2020 19:19:40 GMT -5
Hi Unreg, Have you shown the guys a photo of your harness? Maybe you have and I missed it. But if not, posting a photo of it all will help with understanding all the permutations youâve discussed. Just a thoughtđĄ
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Post by unreg on Nov 30, 2020 19:39:16 GMT -5
Oh, I do remember him explaining about resistor sizes and that certain sizes affected treble differently. And I asked if two resistors could be used; he replied validating my question and with a confirmation. Iâll happily explain why I asked if 2 resistors could be used... First, a short background: I searched online for days bc I didnât want to replace my pickups; I had read everywhere, if a guitarâs pickups give too much treble, replace them. But, I didnât have money for that; had just purchased, and had recently installed, my neck pickup replacement from a Guitar Center; and I loved its color; and I wasnât about to try to change the pickup top on another purchased pickup bc a.) I didnât have the money to try another and b.) it seemed extremely scary to edit a newly purchased product. The genius had gone through a similar situation and so he spent time trying resistors to reduce treble. He provided me a two-column list of resistor values and how they would affect treble. It seemed to me, for some reason, that I needed a resistor that had a value in between two of the list-rows; and after searching, I learned that the resistor value I thought I needed wasnât for sale anywhere I looked. And, I seem to remember finding a wiki page that let me know the searched for value didnât exist. So, I used math and decided Iâd like two resistors.
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Post by unreg on Nov 30, 2020 22:59:49 GMT -5
Hi Unreg, Have you shown the guys a photo of your harness? Maybe you have and I missed it. But if not, posting a photo of it all will help with understanding all the permutations youâve discussed. Just a thoughtđĄ Hi frets, No, I donât think so... though, I donât know what you mean by âharnessâ. But, I have posted a photo of my new tone pot with the first set of resistors. That thread is near the top on page 2 of Guitar Wiring, and titled, âWhere to buy CCR resistors? unreg?â. I plan to send you a photo of my guitar, since you asked a while ago, once itâs finished.
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Post by frets on Dec 1, 2020 14:00:09 GMT -5
Hi Unreg,
By harness I just meant the wiring. The conversations have been interesting and I was particularly interested in the resistors you were speaking of. If I missed a photo, I do apologize. I just thought it might be helpful if we saw the whole wiring given youâre still having problems. Just a thought.
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bubbalou88
Rookie Solder Flinger
Posts: 12
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Post by bubbalou88 on Dec 1, 2020 18:42:12 GMT -5
Hi Unreg, By harness I just meant the wiring. The conversations have been interesting and I was particularly interested in the resistors you were speaking of. If I missed a photo, I do apologize. I just thought it might be helpful if we saw the whole wiring given youâre still having problems. Just a thought. Unreg, resistor across a pots 1and 3,terminals changes the resistance value of the pot to a value lower than the value of the resistor used. This reduces treble by loading the pickup more. While this does work it is doing so at the expense of allowing the full tonal output of the pickup. Concerning a cable with a braided outer shield. Only use that connected to ground. Center conductor is signal. Exception: pickup with signal wire, black wire, and shield. Shield connects to ground and grounds metal on pickup while say black and color wire connect to pickup coil. Depending on pickup some will use color to ground while others may use black to ground. Yeah I know , weird
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Post by unreg on Dec 2, 2020 11:48:50 GMT -5
Hi Unreg, By harness I just meant the wiring. The conversations have been interesting and I was particularly interested in the resistors you were speaking of. If I missed a photo, I do apologize. I just thought it might be helpful if we saw the whole wiring given youâre still having problems. Just a thought. Unreg, resistor across a pots 1and 3,terminals changes the resistance value of the pot to a value lower than the value of the resistor used. This reduces treble by loading the pickup more. While this does work it is doing so at the expense of allowing the full tonal output of the pickup. bubbalou88, Thank you! đ It seems to me, Iâve read those words before. Are you the genius I received help from a long time ago in a forum of some sort?! Regardless, thank you so much for renewing my understanding of those resistors! frets, thank you for your restated inquiry sorry that I didnât understand that before... A photo of the wiring would be rough to take bc there are so many wires in the way of the electronics; I could push them aside but then other electronics may be covered up... and bc photos here can be only so many pixels wide; maybe I could make a larger photo open after clicking on a place holder here? Hmmm... Concerning a cable with a braided outer shield. Only use that connected to ground. Center conductor is signal. Thank you bubbalou88 again! Currently, that blue cableâs braided outer shield is the only part of that blue cable thatâs providing ground now; guess I should snip that unused signal wire off. That signal wire was providing ground to the tone potâs case; itâs just dangling now.
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Post by frets on Dec 2, 2020 15:22:37 GMT -5
Hey Unreg, I completely understand wired up jungles in a cavityđżđż So donât worry about the pic. I was interested when you spoke of several resistors on a pot. We all know here how to reduce a potâs resistance using a resistor in parallel on lugs one and three; but, it sounded like a knowledgeable guru had augmented your system with more resistors on pots than just the resistance reduction described above. So forget my request. Let us know if youâve got the hum fixed, Iâve not read that you have. Take Careâď¸âď¸.
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Post by unreg on Dec 2, 2020 15:52:57 GMT -5
Hey Unreg, I completely understand wired up jungles in a cavityđżđż So donât worry about the pic. I was interested when you spoke of several resistors on a pot. We all know here how to reduce a potâs resistance using a resistor in parallel on lugs one and three; but, it sounded like a knowledgeable guru had augmented your system with more resistors on pots than just the resistance reduction described above. So forget my request. Let us know if youâve got the hum fixed, Iâve not read that you have. Take Careâď¸âď¸. Thank you frets. You take care tooâď¸âď¸âď¸. (A pic of my old resistors, the only ones I have installed, on my tone pot from the post mentioned a bit above. Installed a new set bc I made the mistake of snipping off the ends of the first pair - that snipping off their ends caused the tone to change in a negative way for me.)
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Post by frets on Dec 2, 2020 17:49:53 GMT -5
Yep Unreg, Youâre dropping that 500k pot down to 250k. Makes it less bright.
You guys have probably established this and I was as usual, around the block and down the street.
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Post by unreg on Dec 3, 2020 12:21:26 GMT -5
Yep Unreg, Youâre dropping that 500k pot down to 250k. Makes it less bright. You guys have probably established this and I was as usual, around the block and down the street. đ... you just established this. I had no idea. đ So, if I would replace my 500K tone pot with a 250K tone pot, without the resistors, would that give the same tone? Hmmm... but bubbalou88 said, âThis reduces treble by loading the pickup more. While this does work it is doing so at the expense of allowing the full tonal output of the pickup.â So, the resistors with a 500K pot cause âfull tonal outputâ of my pickups, while maybe a resistorless 250K pot wouldnât? I love my current tone and donât have plans to replace the pot again now; am just curious.
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Post by ashcatlt on Dec 3, 2020 13:34:04 GMT -5
250K is 250K and it doesnât really matter how you get there. Those resistors ARE altering the taper of that potâs action, so switching to a 250K pot without the resistors would change where on the pot you might find a given âin-betweenâ tone, but it will not change the tone at 10 or at 0.
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Post by frets on Dec 3, 2020 17:25:36 GMT -5
Hey Unreg, 250K Tone Pots will send more high frequencies to ground and that makes the sound from the guitar a little bit darker. So the buddy who advised you to put the two 1 meg resistors on your once 500k tone pot was getting you to that 250k. But Ash is right, resistors on pots change the taper. Nonetheless, you like your tone so you must like the taper so if it ainât broke....âď¸âď¸!!
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Post by ashcatlt on Dec 3, 2020 18:22:41 GMT -5
250K Tone Pots will send more high frequencies to ground... Well, no... The parallel load is the bottom half of a voltage divider whose top half is the pickup. The impedance of the pickup gets bigger at higher frequencies, so that proportionally more of the high frequencies (compared to lower) are dropped across the pickup and therefor less is dropped across ("sensed by") the load. Reducing the bottom resistor makes that divider ratio get smaller at lower frequencies. Nothing is actually "sent to ground". It either completes the circuit or doesn't, and in a lot of ways we can say that it is much harder for high frequencies to do that, because they see a higher total impedance on the way around. But the important part here is the frequency dependent voltage division.
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